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Full Moon Film

by Dead Red Velvet

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    The debut Dead Red Velvet album in its original form. This original Full Moon Film CD is now available as a tangible-only collector's item. Digital download is not available for this release.

    Full-colour 3-panel gatefold digipack CD, pressed from glass master, shrinkwrapped. Can be autographed upon request. Available now and shipping out within 72 hours of your order.

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  • Full Digital Discography

    Get all 3 Dead Red Velvet releases available on Bandcamp and save 25%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Skeleton Shore, The Ghostly Divide, and Full Moon Film. , and , .

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1.
INTRO Eeeeeee.... It's always five to midnight. (x8) That's the way it goes... CHORUS Every night you travel to the crypt... To the morgue again. Strapless shift and too-revealing slip... To sleep with him again. Coffin lid without a single word... That's the way it goes. Eating cake and having it preserved... Fucking wonderful. EXTRA HALF Every night you travel to the crypt... To the morgue again. Strapless shift and too-revealing slip... To sleep with skeletons. BUILD Always five to midnight (x4). BRIDGE Lights go down on sordid figures, roll the gruesome zombie pictures. You on screen, shot eighty-two, your fingers scraping concrete. Ravens come to pick the carnage, shot reveals a femme fatale. A monster maiden statuesque, a creature wrapped in velvet. CHORUS x3 OUTRO Always five to midnight (x12). -=- intro A note down to G note, pause .... A intro D C Am (Am Bm C Bm Am) bridge: G major - F# major E minor - Eb major (F#, G walk, stay on G) build and end just stay on Am
2.
These fine feathers lost their wings. This old plumage looks neglected. These grand tail feathers fan. This wingspan found the ocean in the land. La la la, hey hey hey... CHORUS The game's not on cuz the players went home. And the game won't go if the players don't throw and... This old room is growing smaller. Years of listening, walls grow tired (and sleep). The shadows can't grow any longer now. Their textures multiply and lovingly entwine. La la la, hey hey hey... CHORUS The clouds withdraw without a warning. Sun shines through a tiny stained-glass window. Only love on Sunday morning. Only truth on Sunday afternoon. La la la, hey hey hey... CHORUS Don’t ever lose your wings... [Scratching/synthing chaos instrumental] These fine feathers lost their wings. -=- Notes: C# A C G# A G# chordal tension F#m C#m C#dom7 AmM7(G# top) (chord A C E G#) Find vocal melody with: F# G# B A Bass notes: C# D C# D C# G# then rests on E organ 9 A32
3.
INTRO You're learning to love, your inner slut. VERSE1 And the face turns white as the head rolls back and you push in forward, for a closer look. And the dreadful gap between each love and the stone cold silence of trendy clubs. And the snapping tear of modern fabric. And truant hearts are willing magnets. CHORUS Gaping entrance, please come in. Learning to love the slut within. Notch your belt each place you've been. Learning to love the slut within. Cut your teeth on rusting tins. Learning to love the slut within. Antibiotic proof of concept, we're learning to love the sluts among us. VERSE2 Gather your stuff and risk the entry, dare to make the cavern jump. Strip your body down, and when the strap is coming on - meow. Say, feline barter, words for tender, you've been chewing something stylish. And, prowling carnivores besides, I've never seen such cunning mileage. BRIDGE1: Forget it - it's in you - reject, hit! - it's magic. Surrender, remember, these diamonds, sweet sirens. Moan ferro, hot copper, bit bottom, get down there. Beautiful hitched up creature, taste the genius, smell the tea leaves. BRIDGE2: Suffer the action - you feel the touch - stoking the fire - you feel that much. Slattern for hire - your history cuts you - flaming desire - your inner slut, yeah. (x2) CHORUS Ladies and gentlemen, please come in, we're learning to love the sluts within. You, notch your belt each place you've been - you're learning to love the slut within. Cuz you cut your teeth on rusting tins - learning to love the slut within. Antibiotics, proof of concepts, we're learning to love the sluts within us. BRIDGE2/CHORUS MELD: Suffer the action - you feel the touch Learning to love the slut within. Stoking the fire - you feel that much. Learning to love the slut within. Slattern for hire - your history cuts you Learning to love the slut within. Flaming desire - your inner slut, yeah. Learning to love the slut within. (x2) CHORUS OUTRO Yeah - we're learning the sluts within. We're learning to love the sluts within - yeah! We're learning to love the sluts within us. We're learning to love the sluts within. - yeah! -=- Em Em G Am (bass neighbour up to Bb) Bridge 2 G Am PLEASE see "REMIXISH" version for a guide to superimposing D bass guitar on verses, etc. Guitars and synth pads, etc, hold the old pattern.
4.
(Showing as it gets going. What a concussion - you can feel the claws inside yourself.) Come hither moon. Breakdown. Hoooo! Moonstone glows... supercharged... CHORUS Dive off the church spire, launch into air, declare, Come Hither Moon. I know it's draining, go down, come near and don't fear, Come Hither Moon. And as your lover wails a nightly dirge of tears, You're bent sideways from the music of such sweet disparity. CHORUS Dive off the church spire, launch into air, declare, Come Hither Moon. Sleep off the nightmare, to dig again this deepest hole we're in. And when you're running from a demon on the road, you can't hear your heartbeat slowing down with hounds upon your heels. BRIDGE Reach inside my coat, produce the antidote. Truth be told, I often fold. I covet things that I wish to hold. Such rotting hearts of goodly souls. The viper's bed, a poison sting, the dying wish, of a bird of prey, A metal pipe wrench sunny day. A night with you could realign my too dark eyes, with perfect drive. CHORUS Just dive off the church spire, launch into air, declare, Come Hither Moon. I know it's draining, come down in faith, and don't break, Come Hither Moon. Ya ya ya ya ya. Come down in faith, and don't break, Come Hither Moon. Ya ya ya ya ya. Come down in faith, and don't break, Come Hither Moon. For the lovers have a way with words. Breakdown You have no idea -- how lunar time, comes gradually, how lunar time, comes gradually. Gradually! Moonstone glows... supercharged... Hoooo! Come hither moon. (TALK + ECHO: Showing as it gets going. What a concussion - you can feel the claws inside yourself - on the only road out - as the fire doth final flits and promises bloom up inside you - scraping between the bridge - pure as you are noone, the shouted lights and coloured touch.) -=- picky HHs Abm gtr strums over bass BREAK: Gbm CHORUS: Abm B Dbm B Dbm B Eb7 VERSE: Gb Abm Eb7 E Gb Abm Eb7 E CHORUS VERSE BRIDGE: Abm Eb7/Bb E/B C#m Eb E (E dim) F# B (B dim) (B aug) E (E dim) C (C dim) <- chrom shift Cdim7+M7 (Edim7) Am F Abm E Am F Edom7/G# Abm Ebdom7 Ebdom7 CHORUS x2 TAIL Abm
5.
You've been untied on a desperate night. Parting with truths that you've held too tightly Railing in time with a locotrain. Your carnal desire scents the air. The pounding of nerves as pallor grows pale. Wraps you in fabric - a costume unveiled. Belted and chained as a petticoat feast. Tying your legs to the task. CHORUS We welcome you in, now the banquet begins - feasting on Forbidden Fruit. It's a party for all, where you take off your clothes and your mind turns to the darkest. We've been waiting for your smooth young body - shining up our shining teeth. Shadowy looks from these beckoning walls. Phenomenal sounds from these carnival dogs. Thundering heat in delectable waves. Suckerfish ripe from withdrawl. The hearts of the loveless resigned and retired, a final release as the crimes are rewired. Thousands of chittering, buzzing new lives, resorting to merciless toil. CHORUS The hearts of the loveless resort to new tricks. With clever resolve that melts hot candlesticks. Fresh butchers of dreams and respectfully dressed, after all of the world has been felled. Immaculate nails lined in thick metal rows, dungeons refreshed with a rose-petal glow. Speaking with ghosts who've been long underground - examples to all who may dwell. CHORUS We welcome you in, now the banquet begins - feasting on Forbidden Fruit. It's a party for all, where you take of your clothes and your mind turns to the darkest. We've been waiting for your smooth young body. BRIDGE Shining up our shining teeth. Sucking dripping carnal meat. Fibres from your soul endure. We want to hear your spirit scream. CHORUS (no teeth) We always win so come on in and taste Forbidden Fruit. And the hardest is to lose the love... -=- VERSE ETC LOOP Cm Eb Gm F (important: the delay of the 2nd last by 2 beats) CHORUS Cm Eb Gm F Cm Eb D D7 short ending: Cm(bass C Eb) F (bass F A) Bb (bass Bb F) Eb (bass Eb) thump Eb until F up long ending: Cm(bass C Eb) F (bass F A) Bb (bass Bb F) F (bass A) Gm (bass D) D major turnaround G7 (bass D) BRIDGE Faug Gaug Ab Adim Eb dim7 / D pulse D7 / C end: walk down to Gm chord: D E F Ab A B C
6.
VERSE1 Rushing to break your neck in the autumn night. Wrap your cape about you. Let your thoughts run wild. And in truth we are for improving you. We will live, we believe. (don't believe every single thing you hear) CHORUS (You can) Lose your love to night (Lose your love to night) Try the party on (Lose your love to all ) hands in tangled hair (hands in tangled hair) love in mangled hearts (hear the single song) Spin yourself around (Spin yourself around) Now you'll see true love (now you'll see the) Lovers in your heart . Lovers sing your hope. VERSE2 You were born under gothic arches, holding true to what you've been, be resolute it's how you speak of disappearing, in the cracks along your ceiling. if you've fought to change your tendancy, to dance with moonlit mannequins, beware of chaste, inconstant fakes, please remain as you've been. BRIDGE1 No guilt for those who rush. Rushing to death all those who had the touch. No guilt for those who rush. Wind the siren. (x24) CHORUS (thorough accounting) Load your ledger ... thorough accounting. (x4) Load your ledger, trying to catch up. Load your ledger, trying to catch up. (x4) CHORUS -=- (These are the full lyrics of the original version, "Born Under Gothic Arches.") STRUCTURE: 2 - die in 8 - bang 7 - hitch up perc 1 - backslide gtr 8 - heavy 8 - tommy 8 - flangey 4 - flangey 2 - hit 1 2 - hit 2 2 - hit 1 2 - back hits, build 8 - flangey / gtr hits 8 - industrial gtr 12 - "wind the siren" 8 - "load your / thorough" 4 8 - "load your / catch up" 4 8 - "load your / thorough" 4 4 - "load your / catch up" 2 8 - flangey 4 - less heavy 2 - a little extra 1 - end = 125 bars
7.
(Refer to the copyright holders.)
8.
05:06
INTRO VERSE1 Floating through the drying ice, dressed in dark and close attire. Loves to make her movements flow, mouthing words she only knows. Closeness is a tired fuss, arms length lover loves the crush. Worship in the music box, she remains impervious. CHORUS1 (only first half) BREAKDOWN Until the blue of morning... VERSE2 Dancing on the minarettes, something strange inside of her. Loves to gouge the earth with bones, build a thing then burn it down. Distance kept from mortal souls, better men are bought and sold. Holding 'til the bitter last, not a look or touch or word. CHORUS2 (both parts) BRIDGE ||: Nothing... not a single thing will make her hot, wax melt down, no. Nothing... nothing makes an eyebrow twitch or sideways glance to give attention validation. :|| x2 No one... no one gets a single motion, tiny flick of something bitter. No way... not until you're dead and quiv'ring - even then it's not a sure thing. BUILD Every charm, every scheme, every throbbing inch of you will be rejected. VERSE3 Coming to the climax now, dragons rising beautiful. Pushing to a silver scream, all turns hissing boiler steam, Finally she does release, with massive heart and searing heat, Lies her lover, she herself, she alone does she entreat. CHORUS3 (both parts, full x3) Sweet and serpentine - impervious.... she will look right through you. Dancing all the time - impervious.... you will beg for mercy. Not a single sign - impervious.... she just keeps on dancing. Envies those who've died - impervious.... until the blue of morning. Sweet and serpentine - impervious.... no attention given. Dancing all the time - impervious.... frozen magnetism. Not a single sign - impervious.... apathetic vixen. So happily to cry - impervious.... you'll never know her secret. -=- INTRO VERSE1 CHORUS1 (HALF) BREAKDOWN VERSE2 CHORUS2 BRIDGE BUILD VERSE3 CHORUS3 (x3)
9.
02:53
VERSE 1 Fast like fury, white like lightning, blazing past without a driver. Midnight rolls with custom plates. Hub caps roll at break neck pace. Engine revving, building speed, taking off the living edge. She wants to take you into gravel. push that fucking accelerator. Mighty taste for getting high, monoxide and bigger miles. Shooting off for human blood. Getting off in darkness coming to your path to pick you up. Feline auto piston pump. Sucks you dry and toss your carcass. Drains the blood in winter races. CHORUS Vampire car (x4) VERSE 2 Flying past in white enamel, ironic with this dark interior. Kicking sub and racing pistons, soon you’ll be among her minions. Close your eyes and feel the leather. Let her ravish, all will travel. She’s the queen of latex glovework. Dripping kilometers bloodwork. CHORUS VERSE 3 Fast like fury... accelerator. CHORUS -=- VERSE 1 D rock chugs etc CHORUS B Bb A (D drone) The D drone stabilizes the song somewhat. VERSE 2 D (C E) riff
10.
04:34
VERSE 1 Painted town with frowns on hardcore. Here in the night., in the night, in the night. Cold in the club, folded cheer with a knife, she's a dame with a lime, got an ear for life. He is summer sweet with the tigers on the beach, and the dear long tongue, the DLT. Dear the light hits you right with the fire in your eyes. Coming here in the night, in the night, in the night. CHORUS 1 Everything runs, the storyline's good, but something ain't right, growin' lost in the room.... the storyline's good, but everything's wrong. (for it...) VERSE 2 Pure it sips karm' where the key would go wide on the lost land, mmm, let, horn and boilin'. hands intertwined with the people in the line yelling lower now shiver with a low blow naughty draw Rolling smoke ring when the skin hits the eye flicker nail up toy now here with the royal. Table setting there - we'll be feasting on thin air, heading there, in an hour, just and hour, just an hour. EXTRA Not many things clash with young Scottish hotties they're the cream of the world, and the hotties know they're plotting things. CHORUS 2 Got her clothes and she rose, and the storyline run, darling run, go my heroine ...is the storyline run... more than one? Is the storyline good?, it's dirt, it's cruel -- but it ain't any good -- you cut out every bad word to get yourself fixed -- you can't -- you have to get yourself a world class film editor. VERSE 3 Rolling into town, bet they're sure with the prowling eyeball ...turn, ...hot reflections looking dare defying. Figures getting fevers while they flirt in the smoking room. Here in the night. in the night, in the night. Shimmer summer warm as the rain begins to pour, and the dear long tongue, the DLT. Dear the light hits you right with the fire in your eyes. Coming here in the night, in the night, in the night. CHORUS 3 Here, will you sign? Now, here, please, singing on laws, gone away, for a pause. C'mon. Is the storyline fine, carried away, for the last time... is the storyline run? published and done for this miserable rag? Is the story line sane, kindled and razor sharp? Everything runs, the storyline's good, but something ain't right, growin' lost in the room.... The storyline's good, but everything's wrong... Written in the pages of your life... Here in the night, in the night, in the night. Tearing up the pages of your life... Written in the pages of your life... Tearing up the pages of your life... (Photocopy pages of your life... Dog ear up the pages of your life...) -=- verses: all major "rock" F Eb Bb Ab bass important: Eb>F, D>Eb, Ab>Bb, G>Ab>G guitar shots trade with claps on lines 2 and 4. chorus: Eb Bb Dm Eb Bb F STRUCTURE: INTRO VERSE1 CHORUS1 (length x1) VERSE2 HOTTIES (one cycle) CHORUS2 (length x2) VERSE3 CHORUS3 (length x3) OUTRO (four cycles) HARD ENDING
11.
03:49
INTRO transition to a plane where marvels fill your vision where every pore is open the passage way to meaning CHORUS Standing tall, the entrance hall Will i meet you as planets move? We occupy vestibule, nightly. make more of what you hear relax with ancient energy where every breath is infinite the proof is in the theory. CHORUS BRIDGE moving in, moving out, flowing in, flowing out... a space between dimensions the work of drunken architects a restroom for the weary a merciful purgatory. CHORUS OUTRO moving in, moving out, flowing in, flowing out... a space between dimensions -=- INTRO/VERSE/OUTRO Bb Dm/G CHORUS Cm (Bb F/A Bb) Gm (Cm/Eb Bb/D Cm/Eb) x2 Cm walk down (Bb F/A Gm Eb -> Bb/D -> Eb) BRIDGE Bb Dm/F Gm Dm (Gm/D) Bb Dm/F Eb F
12.
You've been untied on a desperate night. Parting with truths that you've held too tightly Railing in time with a locotrain. Your carnal desire scents the air. The pounding of nerves as pallor grows pale. Wraps you in fabric - a costume unveiled. Belted and chained as a petticoat feast. Tying your legs to the task. CHORUS We welcome you in, now the banquet begins - feasting on Forbidden Fruit. It's a party for all, where you take off your clothes and your mind turns to the darkest. We've been waiting for your smooth young body - shining up our shining teeth. Shadowy looks from these beckoning walls. Phenomenal sounds from these carnival dogs. Thundering heat in delectable waves. Suckerfish ripe from withdrawl. The hearts of the loveless resigned and retired, a final release as the crimes are rewired. Thousands of chittering, buzzing new lives, resorting to merciless toil. CHORUS The hearts of the loveless resort to new tricks. With clever resolve that melts hot candlesticks. Fresh butchers of dreams and respectfully dressed, after all of the world has been felled. Immaculate nails lined in thick metal rows, dungeons refreshed with a rose-petal glow. Speaking with ghosts who've been long underground - examples to all who may dwell. CHORUS We welcome you in, now the banquet begins - feasting on Forbidden Fruit. It's a party for all, where you take of your clothes and your mind turns to the darkest. We've been waiting for your smooth young body. BRIDGE Shining up our shining teeth. Sucking dripping carnal meat. Fibres from your soul endure. We want to hear your spirit scream. CHORUS (no teeth) We always win so come on in and taste Forbidden Fruit. And the hardest is to lose the love... -=- VERSE ETC LOOP Cm Eb Gm F (important: the delay of the 2nd last by 2 beats) CHORUS Cm Eb Gm F Cm Eb D D7 short ending: Cm(bass C Eb) F (bass F A) Bb (bass Bb F) Eb (bass Eb) thump Eb until F up long ending: Cm(bass C Eb) F (bass F A) Bb (bass Bb F) F (bass A) Gm (bass D) D major turnaround G7 (bass D) BRIDGE Faug Gaug Ab Adim Eb dim7 / D pulse D7 / C end: walk down to Gm chord: D E F Ab A B C
13.
INTRO You were born under gothic arches, holding true to what you've been, be resolute it's how you speak of disappearing, in the cracks along your ceiling. if you've fought to change your tendancy, to dance in moonlit fields, beware of chaste, inconstant fakes, please remain as you've been. VERSE1 Rushing to break your neck in the autumn night. Wrap your cape about you. Let your thoughts run wild. And in truth we are for improving you. We will live, we believe. (Don't believe every single thing you hear.) CHORUS You can lose your love to night. (Lose your love to night.) Try the party on. (Lose your love to all.) Hands in tangled hair. (Hands in tangled hair.) Love in mangled hearts. (Hear the single song.) Spin yourself around. (Spin yourself around.) Now you'll see true love. (Now you'll see the...) Lovers in your heart. Lovers sing your hope. VERSE2 You were born under gothic arches, holding true to what you've been, be resolute it's how you speak of disappearing, in the cracks along your ceiling. if you've fought to change your tendancy, to dance with moonlit mannequins, beware of chaste, inconstant fakes, please remain as you've been. BRIDGE1 No guilt for those who rush. Rushing to death all those who had the touch. No guilt for those who rush. Wind the siren. (x24) CHORUS Load your ledger ... thorough accounting. (x4) Load your ledger, trying to catch up. Load your ledger, trying to catch up. (x4) CHORUS -=- (These are the full lyrics of the original version.) INTRO Em Cm Em Cm Em Am G B7 (x2) VERSE Em Cm (x8) CHORUS Em Am Em Am VERSE2 Em Cm Em Cm B7 Em B7 Em

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Please visit the Tape Life Records website for full information on Dead Red Velvet and this collector's item debut recording from 2010. tapelife.com

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released July 15, 2010

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Dead Red Velvet Toronto, Ontario

Dark electronic, industrial, gothic rock, cabaret noir: Karl Mohr’s flagship project injects mystery and high-octane thrills.

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